Romania
Inner temple
2024 oil and gold leaf on canvas 100 x 90
Price € 2.500
This piece centers on a figure surrounded by vibrant natural elements, with a single mushroom in the foreground. The mushroom, often a symbol of renewal and cycles of life, stands as a reminder of fragility and interconnectedness. The golden accents scattered throughout the scene evoke timelessness, hinting at the residue of lived experiences that linger within us. The figure, calm and contemplative, represents the inner sanctuary we build to hold our most intimate reflections, our “temples” of emotions and memories, shaped yet unbroken by the passage of time.
Both paintings explore the concept of the specter as the lingering echoes of time, as fragments of our past selves, emotions, and experiences that transcend the temporal. The use of organic motifs, such as the mushroom and golden leaves, symbolizes the natural cycles of growth and decay, while the human figures represent our capacity to anchor ourselves within this flux. The gold leaf elements further highlight the duality of impermanence and enduring beauty, urging us to cherish fleeting moments while embracing their transformative power.
Through Inner Temple and Inner Stage, I aim to create a visual dialogue that connects viewers to their own timebound specters, celebrating the interplay between the transient and the timeless.
Inner stage
2024 oil and gold leaf on canvas 70 x 50
Price € 1.350
In Inner Stage, a serene figure emerges from a bed of golden leaves and delicate threads, embodying the unfolding self. The ethereal elements suggest the imprints of time, memories and emotions that remain part of our inner landscape, even as they transform. The glowing tones and subtle textures reflect the tension between the transient and the enduring, portraying life as a stage where moments pass, but their essence continues to shape us long after they have gone.
Italy
Palpiti di colore
2022 oil on canvas 60 x 40
The ellipse, made from recycled wood, represents the continuity of life. Strong, dynamic and bright brushstrokes refer to an ever changing nature, in an undescribable chaos and never ending emptiness.
The various colours symbolize the re-form that must be enacted by every one of us: every color is an aspect of our life and only through our decisions and actions we can re-shape and better our sorroundings.
L’ellisse, realizzata con legno riciclato, rappresenta la continuità della vita. Le pennellate forti, dinamiche e luminose rimandano a una natura in continuo mutamento, in un caos indescrivibile e in un vuoto senza fine.
I vari colori simboleggiano la trasformazione che deve essere attuata da ognuno di noi: ogni colore è un aspetto della nostra vita e solo attraverso le nostre decisioni e azioni possiamo migliorare ciò che ci circonda.
Italy
Salento
2023 acrylic and ink on paper 33 x 24
Price € 250
Un omaggio ad una terra ricca di colori per celebrare la bellezza vibrante del paesaggio, dall’verdazzurro mare alla sabbia dorata.
Le linee nere rappresentano le tracce umane, simbolo dell’interazione dell’uomo con la natura.
L’Artista evidenzia come l’uomo, pur godendo di questo spettacolo spesso non ne rispetti il valore, lasciando un’ impronta indelebile.
L’opera invita a riflettere sulle responsabilità di preservare la bellezza naturale per le generazioni future.
Sangue e oro
2024 acrylic and ink on paper 22 x 24
Price € 200
Una piccola rappresentazione di una città ricca di Sangue e Oro, Napoli.
Nella sua lucentezza nelle sue sfumature, nella sue false verità, nel suo “BUSINÈSS”
Stasi ed Estasi, Oro e Sangue di San Gennaro, il concetto di tutto o niente.
Le linee nere rappresentano le tracce umane, che lasciano il segno sul mare e sul Vesuvio, non sempre rispettose della Storia e della Poesia che Napoli è.
L’opera invita a riflettere sulle responsabilità di preservare la bellezza e l’unicità del patrimonio, Napoli.
Italy
Pomigliano D’Arco 2024
poetry
Being at the center of a change of time means that we could be changed by time and that we must change time. If we are just changed by it, we are not artists, but objects of time.
Norway
Climb through the moment
2025 mixed media 81 x 56
Price € 1.200
“Climb Through the Moment” is a deeper look into the reflection of where we see ourselves today and where we see ourselves in the future. Can we climb the tree and stretch our own limbs to the potential we see in ourselves? What do we do if we falter? What do we do if we can not see what comes next? Can we climb through the moment as it comes our way?
France
Cinc-Romb-Terc 9
2023-2024 acrylic on canvas 60 x 80
Price € 492
Cinc-Romb-Terc 6
2023-2024 acrylic on canvas 60 x 60
Price € 336
“Nouveau concept. J’ai acquis ces petites toiles de 20 x 20 cm qui m’ont fait de l’oeil.
Ensuite j’ai cogité comment en tirer le meilleur parti.
Le traçage d’un losange concentrique à faire naitre 5 espaces équidistant.
J’ai mis à l’honneur les couleurs tertiaires. Pour rappel c’est le mélange d’une couleur primaire à part égale avec une couleur secondaire. Exemple : rouge orange, jaune orange et ainsi de suite.
D’où le titre cinq losanges tertiaire en espagnol.
Les toiles sont solidarisées avec des pattes visées au verso.
Chaque toile a 8 points d’accrochage. Ce qui fait à minima 120 possibilités. (8 X 15 = 120)
Que vos mains agiles n’auront plus qu’a vissé dans les emplacements qui vont conviendront le mieux.
J’ai fait plusieurs visuels avec différentes possibilités.
Comme cela vous pourrez à loisir profiter de votre œuvre à chaque fois renouvelée.
Bon accrochage.
Nuovo concetto. Ho acquistato queste piccole tele di 20 x 20 cm che hanno attirato la mia attenzione.
Poi ho pensato a come sfruttarle al meglio.
Ho tracciato un rombo concentrico per creare 5 spazi equidistanti.
Ho dato il primo posto ai colori terziari. Si tratta di una miscela di un colore primario in parti uguali con un colore secondario. Esempio: rosso arancio, giallo arancio e così via.
Da qui il titolo cinque diamanti terziari in spagnolo.
Le tele sono tenute insieme dalle linguette sul retro.
Ogni tela ha 8 punti di sospensione. Ciò comporta un minimo di 120 possibilità. (8 X 15 = 120)
Tutto ciò che le vostre agili mani devono fare è avvitarli nelle posizioni più adatte.
Ho realizzato diverse immagini con diverse possibilità.
Così potrete godervi il vostro lavoro ogni volta rinnovato.
Buona appensione.
New concept. I acquired these small 20 x 20 cm canvases that caught my eye.
Then I thought about how to make the most of them.
Tracing a concentric rhombus gave rise to 5 equidistant spaces.
I gave honor to tertiary colors. A tertiary color is a primary color mixed equally with a secondary color. Example: orange red, orange yellow and so on.
Hence the title five tertiary lozenges in Spanish.
The canvases are held together with tabs on the reverse.
Each canvas has 8 hanging points. This makes a minimum of 120 possibilities. (8 X 15 = 120)
All your nimble hands have to do is screw them into the most convenient positions.
I’ve made several visuals with different possibilities.
That way, you’ll be able to enjoy your artwork over and over again.
Happy hanging.
Germany
Ikonen ohne Namen CV
2025 acrylic on canvas 50 x 70
Price € 630
The series „Ikonen ohne Namen“ („Icons without names“) is based on media-images. Photos, replacing each other in an endless succession. Seen today, and tomorrow- with the next hype- already pushed to the background again.
Incidents, which continue, but don’t have images anymore. Images, of situations, people and faces, which seem so clear from a distance , but stay so blurred on a closer look, as most of the faces have no name. You see their condition, but you don’t see them. Floating impressions, shadows of reality, anonymous icons of incidents. Situations, which are sometimes so far away from the own experience.
Pixel are anonymity. But aren’t they as well like the countless facets of our world, the flood of informations, from which we have to form the picture of reality?
To work on this series is intriguing. Like walking a thin line between figurative and abstract. Sometimes I don’t care, where I end up, but most works finally merge both: viewed from a distance, the figurative is present, but dissolves by approaching into abstraction- countless pixels, each with its very own information.
La serie “Ikonen ohne Namen“ (Icone senza nome) si basa su immagini mediatiche. Foto che si susseguono all’infinito. Viste oggi e messe in secondo piano domani, con il prossimo clamore. Eventi che durano, ma che non hanno più immagini. Immagini di condizioni, persone, volti che sembrano così chiari da lontano, ma che rimangono così sfocati se visti da vicino, perché la maggior parte dei volti non ha un nome. Si vede la loro condizione, ma non loro.
Impressioni fugaci, ombre della realtà, icone anonime di eventi. Situazioni che a volte sono così lontane dalla nostra esperienza. I pixel sono anonimi. Ma non sono anche come le innumerevoli sfaccettature del nostro mondo, la marea di informazioni da cui dobbiamo ricavare un’immagine della realtà?
Lavorare a questa serie è emozionante. È come camminare su una linea sottile tra figurativo e astratto. A volte non mi interessa dove finisco, ma la maggior parte delle opere alla fine combina entrambe le cose: visto da lontano, il figurativo è presente, ma si dissolve in astrazione quando ci si avvicina – innumerevoli pixel, ognuno con le proprie informazioni.
USA
Ink Splash
2022 petri resin 80.6 x 42.5
Price € 900
Penelope
2022 petri resin 79 x 104
Price € 2.000
Austria
VOLA
2025 ceramic’s sculpture 25 x 7
Price € 790
La vita contiene tanta varietà e bellezza
… ci mostra la transitorietà e un nuovo inizio …
… anche se è tetro e grigio nel nostro mondo percettibile …
… Quindi il colorato è già in arrivo!
Das Leben birgt so viel an Veränderung und Schönheit in sich
… sie zeigt uns die Vergänglichkeit und den Neubeginn …
… auch wenn es in unserer wahrnehmbaren Welt trist und grau ist …
… so ist das Bunte schon auf dem Weg!
Life contains a lot of variety and beauty
… it shows us transience and a new beginning …
… even if it is dreary and grey in our perceptible world …
… the colorful is already on the way!”
This artwork symbolises the process of individuation in C.G.Jung’s understanding: becoming an individual with a unique personality takes a long time, stepping out from the collective unconscious or an unspecific industrial object, shown here with an undefined colour on both sides of the artwork, into the consciously differentiated individuality. Individuality is never perfect and shows the wounds and signs of the lifetime. With an ironic touch, the artwork shows the value of the individuation as a long time process. So, the time itself is one of the most important elements of condicio humana.
Bulgaria
As the time goes by
2012 oil on canvas 30 x 40
Price € 550
This artwork symbolises the process of individuation in C.G.Jung’s understanding: becoming an individual with a unique personality takes a long time, stepping out from the collective unconscious or an unspecific industrial object, shown here with an undefined colour on both sides of the artwork, into the consciously differentiated individuality. Individuality is never perfect and shows the wounds and signs of the lifetime. With an ironic touch, the artwork shows the value of the individuation as a long time process. So, the time itself is one of the most important elements of condicio humana.
Poland
Fear
2024 mixed media on canvas 100 x 120
Price € 2.000
The painting Fear depicts a naked, contemplative figure seated on the floor, holding a bleeding heart in their hand — a gesture symbolizing emotional exposure, helplessness, and pain. Surrounding the figure on both sides are grotesque faces and deformed masks, embodying anxiety, social pressure, intrusive thoughts, and inner demons that overwhelm and entrap the individual.
Hovering above is a lamp directly referencing Pablo Picasso’s Guernica — a key symbol representing the relentless light of truth and suffering, illuminating the internal “war” each person wages within. Its presence underscores the universal nature of trauma and psychological pain — a private drama unfolding under full light, with no escape into shadow.
Fear is not only a depiction of emotional crisis but also a visual metaphor for the human condition — revealing how fragile the boundary is between the inner world and the outside, between solitude and overload, between silence and scream.” The theme makes me think about the changes we go through during difficult times. Time isn’t just something that passes — it shapes us, changes how we see ourselves and the world. ok
United Kingdom
Union Part 1: The Feminine
2025 hand painted with acrylic paint and ink on canvas 61 x 51
Price € 1.250
You were born worthy, you were born with power and magic running through your
veins, you were born to receive all the abundance the Universe has to offer you. It’s
time to remember who you truly are and it starts with self-love, always.
Austria
Martyr
2020 oil on canvas 60 x 50
Price € 1.400
Das Bild Märtyrer wurde für die Ausstellung „Change of Time“ ausgewählt, da
Jahrhunderte zuvor es nicht möglich gewesen wäre, dieses Thema in dieser Form
darzustellen.
Dieses Gemälde zeigt Jesus Christus, welcher schweres körperliches Leid und den
Tod für die Menschheit auf sich genommen hat. Der jetzigen queeren Ideologie
geschuldet, wurde sein Gesicht feminin dargestellt. Die drei Dornen in seiner
linken Gesichtshälfte symbolisieren die Dornenkrone. Da er bereits als weiblich
dargestellt ist, wurde eine Kopfbedeckung mit eingebunden, so wie es damals für
eine korinthische Christin verpflichtend war und es heute noch der Hidschab im
Islam ist.
The painting Martyrs was chosen for the ‘Change of Time’ exhibition because
centuries earlier it would not have been possible to depict this theme in this
form.
This painting shows Jesus Christ, who took upon himself severe physical
suffering and death for humanity. Due to the current queer ideology, his face
has been depicted as feminine. The three thorns on the left side of his face
symbolise the crown of thorns. As he is already depicted as feminine, a head
covering has been included, as was compulsory for a Corinthian Christian woman
at the time and is still the hijab in Islam today.
Switzerland
Genesis 1
2024 wooden wall object 54 x 46 x 3
Price € 750
“Genesis” explores the creative process and the delicate balance between chaos and order. Through its geometric forms and layered structure, it reflects a universal flow of energy and the interconnected nature of creation. The concept of Timebound Specter deeply resonates with me, as it reflects the interplay between the ephemeral nature of time and the enduring traces it leaves on our existence.
Japan
The thinking formula to arrive at the core c.p. 98a
2025 mixed media on canvas 45.5 x 45.5
Price € 750
Drawing a square
In the moment of the present.
In the limited area of here.
Awareness of eternity on oneself, preached in the “”Hokekyou
Juryouhon”” ( 法華経 寿量品 ）Sutra.
An approach to reality that begins with reflection on the “”I”” as a
living human being.
When one takes it as a given that Buddhism is the fundamental
philosophy and that the Buddhist teachings it preaches are absolute
principles, the divergences that appear in the thoughts, judgments,
and actions of the “”I”” indicate the present in eternity and the here
and now in infinity, making one more strongly aware of one’s
existence as a subject.
Hungary
The timelessness of Vesuvius
2023 acrylic on canvas 50 x 65
Price € 1.000
My work, The Timelessness of Vesuvius, was born from an experience in Naples. The monumental mass of the mountain is a symbol of eternal change and permanence. The ochres, reds, and gold shades aim to reinforce this idea.
Ukraine
Mankind
2023-2024 hand sculpting, fireclay, glazes 59 x 29 x 38
Price € 5.000
Mankind is a visual allegory of humanity in search of itself amid the swirl of change. A multitude of bodies emerging as uplifted hands tells the story of shared history, collective experience, pain, hope, and the endless desire for a future. In this sculptural form, past, present, and future intertwine. Time is no longer linear — it stands suspended at a breaking point, where humanity confronts a new understanding of its own nature. Each hand is a gesture of human essence: despair, struggle, prayer, support, pressure, love. Together, they form an entangled mass where individuality dissolves into the collective, only to give birth to a new “self” — a renewed meaning of existence. The vibrant, flowing glazes enhance the sense of chaos and beauty from which the humanity of tomorrow is born — vulnerable, complex, and capable of deep emotion and transformation. This sculpture attempts to capture an emotional portrait of mankind at a moment of inner fracture, where change becomes the only truth.
Ukraine
The Passage of Time
2024 mixed media on paper 50 x 70
Price € 700
My work features birds and trajectories of some of their flight patterns. Birds dive into the air creating loops in the sky, they seem so utterly free, unconstrained. Our bodies are bound to a time frame we are living in, but our mind is free to go in and out of our memories or reflecting the present, future. That is why the artwork is called ‘The Passage of Time’, our mind is the passage allowing us to travel back and forward in time with the same leap and unrestriction as birds.
Perhaps time is a movement, constant change. Points and markers affixing something that is in constant movement. Trying to tame time or a line of movement. It’s changing and shifting, powerfully moving forward and we hope for the mercy of the strong force guiding us.
Japan
Suspicion
2024 pastel on drawing paper 41 x 32
Price € 3.000
Look at me
2024 pastel on croquis paper 25 x 18
Price € 1.500
For me, females are very complex and difficult to understand. Sometimes they are objects of longing and some times, are even objects of fear. I paint females with ambivalent emotion to them like two artworks being exhibited. In addition, two artworks have time difference. I painted “Suspicion! in 2024 and “Look at me” more than ten years ago. My skill of painting has changed in this 10 years but my perspective to female seems to have not changed so much. It was a finding for me.
Poland
Five o’ clock 2017
oil on canvas 50 x 40
Price € 3.500
At ”A Change Of Time” group exhibition at the Spazio 57 Gallery in Naples, Italy viewers can see my ”Five O’Clock” oil painting which tells the story of a special moment of a day when one can relax and calm the nerves in a safe space of a garden. This is a memory of the times when the time was changing slowly and was not passing so fast, the times without cell phones and smartphones.
Enjoy ”Five O’Clock”, remember the sun, remember the garden, remember you are a part of green nature.
Italy
Your time is on time
2025 acrylic on canvas 60 x 60
Price €1.500
My piece “Climb Through the Moment” was made especially for the Nartwork Exhibition “A Change of Time.” It reflects my focus to link to the present moment, to focus on what is now and to see where the now can extend me into the future.
Germany
Morgendämmerung (Dawn)
2025 oil on canvas 50 x 70
Price €400
Italy
L’armonia vince da sempre il silenzio.
Scotland
African Spraycan
2025 acrylic on canvas 40 x 30
Price € 550
My painting is inspired by African masks are deeply rooted in cultural rituals and ceremonies, often serving to connect humans with spirits, ancestors, and the divine. They can represent a variety of things, including mythological beings, deities, or even the spirit of a specific ancestor. Masks are used in various ceremonies, from coming-of-age rituals and harvest celebrations to funerals and weddings.
Spain
Vita
2025 mixed media on canvas 50 x 50
Price €550
Corazones desdibujados, pulsa con fuerza visual y simbólica en la exploración del instante presente. Aquí, el corazón no es una forma cerrada ni idealizada, sino una vibración abierta, enérgica, casi en proceso de transformación constante. La materia pictórica —con su rica textura y explosión cromática— refuerza esta idea de vida como impulso, flujo y presencia inmediata.
Los rojos intensos, mezclados con blancos, verdes y amarillos vibrantes, parecen emanar desde el centro del lienzo como una pulsación vital. No hay un contorno definido del corazón: su forma está sugerida, no impuesta, lo que permite al espectador experimentar su latido más allá de lo anatómico, como una emoción o una energía que se expande.
La conexión con los cuadros anteriores de la serie “VIDA” se siente tanto en la paleta como en la gestualidad. Pero “Vita” añade un nuevo matiz: si otros cuadros hablaban de la vida como vibración o como latido de color, aquí la vida parece afirmarse con más contundencia, como si el corazón, aún en su disolución formal, se afirmara en su ser. El uso del craquelado y el pigmento puro en polvo acentúan la materialidad, recordándonos que la vida también es cuerpo, presencia y transformación constante.
Argentina
N°II Serie Hilván 2025
2025 hilván – photo by Gustavo Sosa Pinilla 92 x 62
Price € 3.500
The Hilván 2025 Project is made up of a series of 24 pieces of Thai Kozo paper acquired from the Kozostudio shop that lands for the first time in Argentina through a respectful international dialogue.
The pieces of white or black openwork paper forming alternating empty squares of 2cm on each side are interpellated by white, black or primary coloured lines of 1.5cm wide by 0.90cm long.
The proposed conversation refers to the exchange of possible imagined ideas between Kasimir Malevich (the square, the basic Suprematist element) and Piet Mondrian (the lines, the primary colours).
Japan
City Life
2024 acrylic on canvas 45.5 x 53
Price € 620
Australia
The Lotus Series No.24
2022 oil on canvas 60 x 60
Price € 3.600
The Lotus Series No.48
2023 oil on canvas 50 x 60
Price € 3.000
Lihong Zhang chose lotus flowers as a reflection of her culture and as a theme to further explore contemporary Impressionist painting techniques. She has developed a unique and distinctive personal painting language with bold colors and decisive brushstrokes, showcasing her outstanding personal style.
Lotus flowers symbolize the charm of Eastern Zen, tranquility, and harmony, bringing new interpretations to Impressionist works. Viewers can observe the artist’s joy in the medium of painting through carefully crafted color palettes and emotionally charged brushstrokes that convey the painter’s state of mind.
Lihong Zhang’s inspiration for her paintings often comes at night, sometimes even appearing in her dreams. She promptly captures these inspirations on canvas, often creating abstract and surreal atmospheres in her artwork when painting at night. The depicted flowers possess subjective colors that give viewers a unique visual and sensory experience.
Lihong Zhang’s oil paintings embody the fusion of Eastern and Western cultures. She hopes her lotus flowers can provide visual sensations and psychological comfort to more people, allowing them to find inner peace in the chaotic world.
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